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Daniel Rogers Pinkham Jr. (June 5, 1923 – December 18, 2006) was an American composer, , and .


Early life and education
Born in Lynn, Massachusetts, into a prominent family engaged in the manufacture of patent medicines (his great-grandmother was Lydia E. Pinkham), he studied organ performance and music theory at with Carl F. Pfatteicher. "The single event that changed my life was a concert at by the Trapp Family Singers in 1939, right after they had escaped from Germany," Pinkham once recalled. "Here, suddenly, I was hearing clarity, simplicity. It shaped my whole outlook," he said in a 1981 interview with The Boston Globe.

At Harvard University, he studied with ; , Archibald T. Davison, and Arthur Tillman Merritt were also among his teachers. There he completed a bachelor's degree in 1942 and a master's in 1944. He also studied harpsichord with and , and organ with E. Power Biggs. At , he studied composition with and , and subsequently with .


Career
Pinkham taught at the Boston Conservatory beginning in 1946, and at the New England Conservatory of Music from 1959 until his death in 2006; while there, he created and chaired the program on early music performance. In 1951, Pinkham conducted ten works by Boulanger Award winners in their Boston performance première in a special Peabody Mason Concert series commemorating the Bi-Millennial year.Harold Rogers, "Contemporary Music in Boston Première", The Christian Science Monitor (May 16, 1951). He also taught at various times at Simmons University (1953–1954), Boston University (1953–1954), and Harvard University (1957–1958). Among Pinkham's notable students were the jazz musician and composer (1925–1983) and the composer .

For forty-two years (1958–2000),Daniel Pinkham, " Daniel Pinkham: Composer ". Daniel Pinkham home page, 2007 (Accessed 6 November 2012). Pinkham was the organist of King's Chapel in Boston, a position which gave him much exposure to and opportunity to write church-related music; the Sunday evening concert series he created there celebrated its 50th anniversary in 2007. He was also a frequent guest on the E. Power Biggs program on the CBS Radio Network. He performed regularly with the Boston Symphony Orchestra as an organist and as a harpsichordist, and he performed extensively with noted violinist , with whom he commissioned a duo for violin and harpsichord from .


Compositions
Pinkham's output represents a broad cross-section of 20th-century musical trends. He produced work in virtually every genre, from to , though the preponderance of his music is religious in nature, frequently choral and/or involving organ. Much of his music was written for use in church services or other ceremonial occasions, and reflected his longstanding relationship with King's Chapel. At various points in his career, he embraced , medievally-influenced modal writing, and 17th-century forms (in the 1930s and 40s, under the influence of Stravinsky and Hindemith and reflecting his commitment to the early music revival), and (in the 1950s and 60s), (beginning in 1970),Sabine Feisst, "Pinkham, Daniel (Rogers)", The New Grove Dictionary of Music and Musicians, second edition, edited by and John Tyrrell (London: Macmillan Publisher, 2001). and the neo-baroque idiom.

Some of Pinkham's best-known works are designed for services: the Christmas, Advent, and Wedding cantatas, the latter of which is performed particularly often. In 2003, he gained further notice with his commissioned piece, written for the Boston Landmarks Orchestra, of Make Way for Ducklings. In keeping with the name of the ensemble, the work was designed to be performed for families at the Boston Public Garden, near the famous sculptures based on Robert McCloskey's endearing picture book.

Pinkham's scholarship and work were recognized with a Fulbright Fellowship in 1950 and a Fellowship in 1962. He received honorary degrees from the New England Conservatory of Music as well as from Nebraska Wesleyan University, , Westminster Choir College, , and the Boston Conservatory.

Pinkham's 1949 Slow, Slow, Fresh Fount was dedicated to the soprano . In 1971, he wrote The Other Voices of the Trumpet for trumpet, organ, and tape, for the inaugural International Contemporary Organ Music Festival at the Hartt School of Music. In 1982, he returned to the Hartt festival to give a lecture about his own harpsichord music. In 1990, Pinkham was named Composer of the Year by the American Guild of Organists. In 1995, he was awarded the from the American Choral Directors Association. Retrieved March 2016 In 2006 Pinkham was named Musician of the Year by the Boston Musicians' Association, AFM Local 9-535.


Personal life
Pinkham died in Natick, Massachusetts, of chronic lymphocytic leukemia, at the age of 83. He is survived by his longtime partner, the organist Andrew Paul Holman.


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